Wednesday, April 9, 2008

Gibson Robot Les Paul Studio in Purple Metallic

The Robot is Back! Extremely Limited Edition!

The Robot Les Paul Studio is an electric guitar that offers all the power, tone, and performance of a traditional LP Studio model, with the addition of the revolutionary Robot automatic tuning system.


Gibson's Robot Guitar, the world's first guitar with robotic tuning technology is available once again. You don't have to tune up your car every time you drive it. Now you don't have to tune up your guitar every time you play it. The Robot Guitar does it for you. Just plug it in, dial in the tuning, strum the strings, and play.

The self-tuning system is built into a gorgeous Gibson Les Paul Studio guitar without changing its looks. All the sound and playability that have made the LP one of the most successful electric guitars of all time are retained. To tune itself, the Robot Guitar uses an onboard central processing unit (CPU) that analyzes the pitch of each string as detected by the Tune-Control bridge. Tuning information from the CPU is relayed to the motorized tuning machines that efficiently adjust each string to the correct pitch with a distinctive whirring sound that lets you know Robot Guitar is on the job.

You activate the Gibson Les Paul Robot Guitar with the Master Control Knob (MCK) that functions as a tone control in the down position and is pulled up to activate the tuning system. In addition to standard (A-440Hz) tuning, six commonly used tunings are selectable from the MCK. Users can also program their own custom tunings as well as set the guitar's intonation. Now, with the Gibson Robot Guitar, you'll spend more time playing in tune. In live performance you can easily change tunings practically soundlessly on the fly, keeping your show flowing smoothly. There's no longer any need to haul several instruments to the gig to cover various tunings; The Robot does it all for you!

The Robot Les Paul Studio Ltd. has a chambered mahogany body with maple top and nitrocellulose finish. The mahogany neck is hand-shaped into a rounded 50s profile and is topped with an ebony fretboard. A Gibson 490R humbucker with Alnico II magnets in the neck position and 498T humbucker with Alnico V magnets in the bridge position provide that Patent Applied For sound. Four-conductor wiring allows connection of a push/pull pot for coil-splitting. Wax potting reduces the chances of microphonic feedback. The performance-safeguarding Neutrik jack secures the cord into the guitar.

Gibson Studio Robot Les Paul Specs:

  • Body Style: LP
  • Top Species: Maple
  • Back Species: Mahogany
  • Fingerboard Species: Ebony
  • Scale Length: 24 3/4"
  • Number of Frets: 22
  • Width at 12th Fret: 2.260"
  • Inlays: White Acrylic Trapezoid
  • Fingerboard Binding: White
  • Neck Pickup: 490R
  • Bridge Pickup: 498T
  • Control Pocket Cover: Smoked Acrylic Backplate, Black Switchplate
  • Toggle Switch: White
  • Toggle Switch Washer: White HS Silver
  • Other Electronics: Charger & Power Plug
  • Neck Species: Mahogany
  • Profile: LP5M Neck with Classic Drilling, Studio Tongue
  • Peghead Pitch: 17
  • Nut: Corian, Pre-radiused
  • Nut Width: 1.695
  • Thickness at 1st Fret: 0.818"
  • Thickness at 12th Fret: 0.963"
  • Heel Length: 5/8"
  • Neck Joint Location: 16th Fret
  • Head Inlay: Holly, Gibson
  • Head Binding: White
  • Truss Rod: Nickel plated truss rod nut
  • Truss Rod Cover: B/W Bell
  • Hardware Color: Chrome
  • Plating Finish: Chrome
  • Tailpiece: Powertune
  • Bridge: Powertune
  • Knobs: 1 Powertune Master Control Knob, 3 Blk Tophats
  • Tuners: Powertune Satin Nickel
  • Strap Buttons: Butt/Rim
  • Jack: Neutrik on Rim
  • Jack Plate: None
  • Pickguard: None

Gibson Les Paul Robot Studio Features:

  • Mahogany body/maple top
  • Chambering
  • Nitrocellulose finish
  • Rounded 50s neck profile hand-shaped
  • 22 fret ebony fingerboard
  • 12 fretboard radius
  • Medium-jumbo fret wire Hand-shaped using nickel/silver alloy
  • Gibson 490R Alnico II (neck)/498T Alnico V (bridge) humbuckers
  • Four-conductor wiring
  • Wax potting
  • Pole pieces aligned for treble pickup
  • Tune Control Bridge/Tailpiece (modified Tune-O-Matic)
  • Neck CPU
  • Powerhead Locking Tuners
  • Multi-Control Knob (MCK) with LED display
  • Neutrick jack
  • Gibson hardshell case

Shiro Michi All Stars - You And The Night


More lounge goodies from Japan with Shiro Michi and the All Stars. Also a contender for the 'Worst Cover Photo Of All Time' award - there's someting quite eerie about the faceless woman on the cover...

The music is first rate however. Shiro's guitar work highlights the delightful and sophisticated arrangements (harp, hammond and lots of orchestral percussion). Mellow, smooth and sophisticated - mix with a good martini for the perfect after-work de-stress formula...

01 - The Shadow Of Your Smile
02 - Ebb Tide
03 - Un Homme Et Une Femme
04 - Music To Watch Girls By
05 - Sunrise, Sunset
06 - Somethin' Stupid
07 - Mas Que Nada
08 - Greensleeves
09 - Strangers In The Night
10 - I Left My Heart In San Francisco
11 - Gelsomina
12 - I Really Don't Want To Know

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Mr Snookles

Thursday, April 3, 2008

Phase 4 World Of Big Band Hits


Here's some swanky Big-Band jazz, recorded in that beautiful Phase 4 fidelity. Ted Heath, Stan Kenton and co. serve up a smooth but swingin' slice of easy jazz classics.

01 - Benny Goodman - One O'Clock Jump
02 - Harry James - Sleepy Lagoon
03 - Ted Heath - Opus 1
04 - Stan Kenton - Take The A Train
05 - Benny Goodman - String Of Pearls
06 - Ted Heath - Begin The Beguine
07 - Benny Goodman - Body And Soul
08 - Stan Kenton - Atistry In Rhythm
09 - Harry James - All Or Nothing At All
10 - Ted Heath - Apple Honey

Thanks for all the many kind comments left by you all. Much appreciated... Special to hello to Chris Scott whose Switched On Bacharach albums were feratured a while back. Chris dropped by and left a comment on the 'More Switched On Bacharach' post. It's always a thrill to hear from the people asociated with the albums we post. It brings them out of the dusty past and gives them new life... All the best, Chris.

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Mr Snookles
 

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